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20220606143902.0 |
020 |
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|a9780195325287
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040 |
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|aStDuBDS|cStDuBDS|dNOU
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050 |
0
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|aML410.R499|bC278 2009
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100 |
1
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|aCarl, Robert,|d1954-
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245 |
10
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|aTerry Riley's In C|h[electronic resource] /|cRobert Carl.
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260 |
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|aNew York ;|aOxford :|bOxford University Press,|c2009.
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300 |
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|a192 p. :|bill. ;|c24 cm.
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440 |
0
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|aOxford Scholarship Online
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490 |
1
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|aStudies in musical genesis, structure, and interpretation
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504 |
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|aIncludes bibliographical references and index.
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520 |
8
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|a'Terry Riley's 'In C'' argues that the work holds its place in the canon because of the very challenges it presents to 'classical' music. Carl examines 'In C' in the context of its era, its grounding in aesthetic practices and assumptions, its process of composition, presentation, recording, and dissemination.
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533 |
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|aElectronic reproduction.|bOxford :|cOxford University Press,|d2009.|f(Oxford Scholarship Online).|nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).|nAvailable as searchable text in HTML format.|nAccess restricted to subscribing institutions.
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600 |
10
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|aRiley, Terry,|d1935-|tIn C.
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650 |
0
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|aMinimal music|xHistory and criticism.
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776 |
08
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|iPrint version|z9780195325287
|
809 |
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|pEB|dML410.R499|eC278|y2009
|
830 |
0
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|aStudies in musical genesis, structure, and interpretation.
|
856 |
40
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|uhttp://dx.doi.org/10.1093/acprof:oso/9780195325287.001.0001
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