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20221104112950.0 |
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|a0230617026 (electronic bk.)
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|a9780230617025 (electronic bk.)
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|aUKPGM|beng|cUKPGM|dN|dOCLCQ|dYDXCP|dEBLCP|dNOU
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049 |
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|aAPTA
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050 |
4
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|aPN2193.A8|bM33 2008eb
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082 |
04
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|a792.01/3|222
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100 |
1
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|aMcConachie, Bruce A.
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245 |
10
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|aEngaging audiences|h[electronic resource] :|ba cognitive approach tospectating in the theatre/|cBruce McConachie.
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260 |
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|aNew York :|bPalgrave Macmillan,|c2008.
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300 |
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|a1 online resource (ix, 248 p.)
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490 |
1
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|aCognitive studies in literature and performance
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500 |
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|aDescription based on print version record.
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504 |
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|aIncludes bibliographical references (p. [209]-241) and index.
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505 |
0
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|aIntroduction -- General Cognition for Theatre Audiences -- Social Cognition in Spectating -- Cultural Cognition in History --Epilogue: Writing Cognitive Audience Histories.
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520 |
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|aEngaging Audiences provides an insightful introduction to spectatorship from the perspective of cognitive studies. Using performances of several plays and a wide array of scientific evidence, McConachie examines the dynamics of conscious attention, mental concepts, empathy, emotion, and culture in theatregoing. This ground-breaking study challenges many of the current theories used to understand spectators and is a valuable resource to artists and scholars interested in how and why audiences enjoy performance.
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650 |
0
|
|aTheater|xPhilosophy.
|
650 |
0
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|aTheater|xSemiotics.
|
650 |
0
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|aTheater and society.
|
650 |
0
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|aTheater audiences|xPsychology.
|
650 |
0
|
|aTheater audiences.
|
655 |
7
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|aElectronic books.|2local
|
776 |
08
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|iPrint version:|aMcConachie, Bruce A.|tEngaging audiences.|dNew York : Palgrave Macmillan, 2008|z9780230609884|w(OCoLC)269433736
|
809 |
|
|pEB|dPN2193.A8|eM129|y2008
|
830 |
0
|
|aCognitive studies in literature and performance.
|
856 |
40
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|3Palgrave Connect|uhttp://www.palgraveconnect.com/doifinder/10.1057/9780230617025|zaccess to fulltext (Palgrave)
|