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20221102140224.0 |
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|a0230621678
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|a9780230621671
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7
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|a10.1057/9780230621671|2doi
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|aUKPGM|beng|cUKPGM|dEBLCP|dYDXCP|dNOU
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049 |
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|aAPTA
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050 |
14
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|aPN1998.3.K87|bM37 2009
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082 |
04
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|a791.4302/33092|222
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100 |
1
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|aMartinez, D. P.|q(Dolores P.),|d1957-
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245 |
10
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|aRemaking Kurosawa|h[electronic resource] :|btranslations and permutations in global cinema /|cD.P. Martinez.
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250 |
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|a1st ed.
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260 |
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|aNew York, NY :|bPalgrave Macmillan,|c2009.
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300 |
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|axix, 225 p. :|bill. ;|c22 cm.
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504 |
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|aIncludes bibliographical references (p. [195]-210) and index.
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505 |
0
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|aSetting the Scene -- Portrait of an Artist as Film-Maker -- Rashomon: The Problem of Subjectivity -- Remaking Rashomon: From Subjectivity to "the" Truth -- The Battle of the Sexes: Or, the One Scenario When Subjectivity is Acceptable -- Permutations on the Theme of Murder: The Search for Solutions -- And on Television -- A Short Interval -- The GroupWestern -- The Lone Hero -- Cloning Kurosawa.
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520 |
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|aThrough the lens of Akira Kurosawa's films, Martinez dissects the human tendency to make connections in a pioneering attempt to build a bridge out of diverse materials: the anthropology of Japan, film studies, and postmodern theory.
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533 |
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|aElectronic reproduction.|bBasingstoke, England :|cPalgrave Macmillan,|d2009.|nMode of access:World Wide Web.|nSystem requirements: Web browser.|nTitle from title screen (viewed on July 24, 2009).|nAccess may be restricted to users at subscribing institutions.
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10
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|aKurosawa, Akira,|d1910-1998|xCriticism and interpretation.
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650 |
0
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|aFilm remakes|xHistory and criticism.
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655 |
7
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|aElectronic books.|2local
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710 |
2
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|aPalgrave Connect (Online service)
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776 |
1
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|cOriginal|z0312293585|z9780312293581|w(DLC) 2008039877|w(OCoLC)253838246
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809 |
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|pEB|dPN1998.3.K87|eM385|y2009
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856 |
40
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|3Palgrave Connect|uhttp://www.palgraveconnect.com/doifinder/10.1057/9780230621671|zaccess to fulltext (Palgrave)
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