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20221103085643.0 |
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|a023062099X
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|a9780230620995
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|aUKPGM|beng|cUKPGM|dNOU
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049 |
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|aAPTA
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050 |
14
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|aPR468.R46|bH56 2009
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082 |
04
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|a820.9003|222
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100 |
1
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|aHinojosa, Lynne J. Walhout.
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245 |
14
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|aThe renaissance, English cultural nationalism, and modernism, 1860-1920|h[electronic resource] /|cLynne Walhout Hinojosa.
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260 |
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|aNew York, NY :|bPalgrave Macmillan,|c2009.
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300 |
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|ax, 246 p. ;|c22 cm.
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504 |
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|aIncludes bibliographical references (p. [229]-241) and index.
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0
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|aPART I: Classical Cultural History-Writing in England. Historical and Contemporary Contexts ;The Emergence of the Renaissance Concept in Europe: The Fifteenth through the Mid-Nineteenth Century ; Classical Cultural History and the Periodization of the Renaissance: Ruskin and Burckhardt ; Renaissancism in England: Arnold, Symonds, Pater -- PART II: Renaissance Old Masters and Modernist ArtHistory-Writing. The Connoisseur and the Spiritual History of Art: Morelli and Berenson ; The Modernist Rejection of the Renaissance: Fry, Bell, Hulme -- PART III: Shakespeare and National Cultural History-Writing. National Cultural History in Public Spaces: The Theater, the Press, the Great War ; The Writing ofEnglish Literary History -- PART IV: The Modern Artist . The Modern Artist as Historian, Courtier, and Saint: Pound, Burckhardt Vasari.
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|aThis valuable study offers new insights and contextualization regarding the relation of nationalism to modernism. Hinojosa shows how many writers and critics in the late nineteenth and early twentieth centuries, using Renaissance historiography as a model, produced cultural, art, and literaryhistory to promote two often-competing goals: national culture and modernist culture. Reading authors such as Ruskin, Symonds, Arnold, Pater, Fry, Berenson, Hulme, Pound, and Saintsbury alongside relevant archival and periodical literature, Hinojosa reveals the structures of modernist historiography, high and low culture, and historical periodization. This book should interest literary and art historians in modernist, Victorian, Shakespeare, and Renaissance studies, as well as scholars of cultural studies and cultural history.
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|aElectronic reproduction.|bBasingstoke, England :|cPalgrave Macmillan,|d2009.|nMode of access:World Wide Web.|nSystem requirements: Web browser.|nTitle from title screen (viewed on Oct. 6, 2009).|nAccess may berestricted to users at subscribing institutions.
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650 |
0
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|aEnglish literature|y19th century|xHistory and criticism.
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650 |
0
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|aEnglish literature|y20th century|xHistory and criticism.
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650 |
0
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|aEnglish literature|yEarly modern, 1500-1700|xHistory and criticism.
|
650 |
0
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|aLiterature and society|zGreat Britain|xHistory|y16th century.
|
650 |
0
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|aLiterature and society|zGreat Britain|xHistory|y17th century.
|
650 |
0
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|aModernism (Literature)|zEngland.
|
650 |
0
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|aRenaissance|xHistoriography|xHistory|y19th century.
|
650 |
0
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|aRenaissance|xHistoriography|xHistory|y20th century.
|
655 |
7
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|aElectronic books.|2local
|
710 |
2
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|aPalgrave Connect (Online service)
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776 |
1
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|cOriginal|z9780230608313|z0230608310|w(DLC) 2009281129|w(OCoLC)318670874
|
809 |
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|pEB|dPR468.R46|eH663|y2009
|
856 |
40
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|3Palgrave Connect|uhttp://www.palgraveconnect.com/doifinder/10.1057/9780230620995|zaccess to fulltext (Palgrave)
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