Moving pictures : a new theory of film genres, feelings, and cognition /
Hit:343
Rating:0
Review:0
Trackback:0
Forward:0
008
970424s1997 enk b 001 0 eng d
001
80430
010
|a97163602
020
|a0198159838 (pbk.) :|cGBP21.00
020
|a0198159412 (hbk.)
020
|a9780198159834 (pbk.)
020
|a9780198159414 (hbk.)
040
|aIDeKN|cIDeKN|dUk|dDLC|dNOU
050
00
|aPN1995|b.G6887 1997
082
00
|a791.43/01/9|221
809
|pBOOK|dPN1995|e.G873|y1997
100
1
|aGrodal, Torben Kragh.
245
10
|aMoving pictures :|ba new theory of film genres, feelings, and cognition /|cTorben Grodal.
260
|aOxford :|bClarendon Press ;|aNew York :|bOxford University Press,|c1997.
300
|aix, 306 p. ;|c25 cm.
504
|aIncludes bibliographical references (p. [285]-296) and index.
505
8
|aPt. 1. Visual fiction as embodied mental flow. Chpt. 1. Fiction, symbolic simulation, and reality -- chpt. 2. Cognition, emotion, brain-processes, and narration -- chpt. 3. Associative networks, focus of attention, and analogue communication -- pt. 2. Narratives as basic mental models. chpt. 4. Cognitive identification and empathy -- chpt. 5. Intentions, will, goal, consciousness, and humanness -- chpt. 6. Subjectivity, causaility, and time -- pt. 3. A typology of genres and emotions. chpt. 7. A typology of genres of fiction -- pt. 4. Laughter, distance, horror, and tears. chpt. 8. Comic fictions -- chpt. 9. Metaframes as emotion-filters and brackets -- chpt. 10. Crime and horror fiction -- chpt. 11. Melodrama, lyrics, and autonomic response.