005 |
|
20220606144244.0 |
020 |
|
|a9780195343069
|
040 |
|
|aStDuBDS|cStDuBDS|dNOU
|
050 |
4
|
|aML3560.C25|bB823 2009
|
100 |
1
|
|aBrasseaux, Ryan A.
|
245 |
10
|
|aCajun Breakdown|h[electronic resource] :|bThe Emergence of an American Made Music /|cBrasseaux, Ryan Andre
|
260 |
|
|aNew York ;|aOxford :|bOxford University Press,|c2009.
|
300 |
|
|axv, 317 p. :|bill. ;|c24 cm.
|
440 |
0
|
|aOxford Scholarship Online
|
490 |
1
|
|aAmerican musicspheres
|
504 |
|
|aIncludes bibliographical references and index.
|
520 |
8
|
|a'Cajun Breakdown' examines the social and cultural roots of Cajun music's development through 1950. The idiom's synthetic nature suggests an extensive and intensive dialogue with popular culture that extinguishes the myth that Cajuns were an insular folk group astray in the American South.
|
533 |
|
|aElectronic reproduction.|bOxford :|cOxford University Press,|d2009.|f(Oxford Scholarship Online).|nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).|nAvailable as searchable text in HTML format.|nAccess restricted to subscribing institutions.
|
650 |
0
|
|aCajun music|xHistory and criticism.
|
650 |
0
|
|aCajuns|xHistory.
|
650 |
0
|
|aPopular music|xSocial aspects|zUnited States.
|
776 |
08
|
|iPrint version|z9780195343069
|
809 |
|
|pEB|dML3560.C25|eB823|y2009
|
830 |
0
|
|aAmerican musicspheres.
|
856 |
40
|
|uhttp://dx.doi.org/10.1093/acprof:oso/9780195343069.001.0001
|