005 |
|
20221102165115.0 |
020 |
|
|a0230239560
|
020 |
|
|a9780230239562
|
040 |
|
|aUKPGM|beng|cUKPGM|dEBLCP|dNOU
|
049 |
|
|aAPTA
|
050 |
14
|
|aNX180.S6|bT43 2009
|
082 |
04
|
|a700.103|222
|
245 |
00
|
|aTechnologies of memory in the arts|h[electronic resource] /|cedited by Liedeke Plate and Anneke Smelik.
|
260 |
|
|aHoundmills, Basingstoke ;|aNew York :|bPalgrave Macmillan,|c2009.
|
300 |
|
|axii, 241 p. :|bill. ;|c23 cm.
|
504 |
|
|aIncludes bibliographical references and index.
|
505 |
0
|
|aTechnologies of Memory in the Arts: An Introduction / L.Plate & A.Smelik -- Tourists of History: Souvenirs, Architecture, and the Kitschification of Memory / M.Sturken -- Minimalism, Memory, and the Reflection of Absence / W.Weijers -- The Virtuality of Time: Memory in Science Fiction Films /A.Smelik -- The Astonishing Return of Blake and Mortimer: Francophone Fantasies of Britain as Imperial Power and Retrospective Rewritings / A.Miller -- Writing Back Together: The Hidden Memories of Rochester and Antoinette in Wide Sargasso Sea / N.Haliloglu -- Liquid Memories: Women's Rewriting in the Present / L.Plate -- The Matter and Meaning of Childhood through Objects / E.Wood -- The Force of Recalling: Pain in Visual Arts / M.Zarzycka -- Photographs that Forget: Contemporary Recyclings ofthe Hitler-Hoffmann Oratory Poses / F.Guerin -- Facing Forward with Found Footage: Displacing Colonial Footage in Documentaries and Video Art / J.Noordegraaf -- Mediated Popular Histories in Slovenia: Shaping Memories of the Past / M.Pu b( snik -- Impossible Histories: Violence, Identity, and Memory in Columbian Visual Arts / M.Cabrera.
|
520 |
|
|aTechnologies of Memory in the Arts covers the interdisciplinary field of Cultural Studies of Memory and Trauma from an international spectrum. It focuses on art and artistic practices as technologies of memory:paintings, souvenirs, science fiction films, memorials, novels, documentaries, comic strips, and toys. Exploring the varied ways in which artproduces and processes the past in global present, the book examines how art has a particular stake in the complex processes of cultural remembrance and amnesia. Memories are shaped by the social context in which they are produced, as well as by the material and technologicalmeans available to produce and reproduce, store, archive, and retrievethem. The essays in the volume explore technologies of memory in both traditional and newmedia. Focusing on the materiality of representation, they are especially concerned with the relation between the medium and the construction of cultural memory.
|
533 |
|
|aElectronic reproduction.|bBasingstoke, England :|cPalgrave Macmillan,|d2009.|nMode of access:World Wide Web.|nSystem requirements: Web browser.|nTitle from title screen (viewed on Oct. 6, 2009).|nAccess may berestricted to users at subscribing institutions.
|
650 |
0
|
|aArts and society.
|
650 |
0
|
|aMemory in art.
|
650 |
0
|
|aMemory in literature.
|
655 |
7
|
|aElectronic books.|2local
|
700 |
1
|
|aPlate, Liedeke.
|
700 |
1
|
|aSmelik, Anneke.
|
710 |
2
|
|aPalgrave Connect (Online service)
|
776 |
1
|
|cOriginal|z9780230575677|z0230575676|w(OCoLC)298778543
|
809 |
|
|pEB|dNX180.S6|eT255|y2009
|
856 |
40
|
|3Palgrave Connect|uhttp://www.palgraveconnect.com/doifinder/10.1057/9780230239562|zaccess to fulltext (Palgrave)
|