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20221101145522.0 |
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|a0230244696
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|a9780230244696
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7
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|a10.1057/9780230244696|2doi
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|aUKPGM|beng|cUKPGM|dNOU
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|aAPTA
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050 |
14
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|aPN1992.94
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082 |
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|a384.558|222
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245 |
00
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|aVideo cultures|h[electronic resource] :|bmedia technology and everyday creativity /|cedited by David Buckingham and Rebekah Willett.
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260 |
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|aBasingstoke :|bPalgrave Macmillan,|c2009.
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300 |
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|avii, 241 p. :|bill. ;|c23 cm.
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504 |
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|aIncludes bibliographical references and index.
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0
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|aIn The Frame: Mapping Camcorder Cultures; R.Willett -- A CommonplaceArt? Understanding Amateur Media Production; D.Buckingham -- 'Take Back The Tube!': The Discursive Construction of Amateur Film- and Video-Making; D.Buckingham, M.Pini & R.Willett -- Inside the Home Mode; M.Pini -- Speaking Back? In Search of the Citizen Journalist; D.Buckingham -- Parodic Practices: Amateur Spoofs on VideoSharing Sites; R.Willett -- Skate Perception: Self-Representation, Identity and Visual Style in a Youth Subculture; D.Buckingham -- Handing Over Control? Access, 'Ordinary People' and Video Nation; J.Henderson -- In The Bedroom: Sex on Video; M.Pini -- The Hidden World of Organised Amateur Film-Making; D.Buckingham -- Always On: Camera Phones, Video Production and Identity; R.Willett -- Power To The People? The Past and Future of Amateur Video; D.Buckingham.
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520 |
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|aOver the past decade, the video camcorder has become a commonplace household object. The riseof YouTube and other video sharing sites has made it significantly easier to distribute amateur video productions, and national broadcasters are increasingly interested in 'user-generatedcontent' andthe work of so-called 'citizen journalists'. For some, this growth in access to video production ispart of a wider democratisation of media, and the emergence of a much more participatory media culture. However, others argue that such practices amount to little more than a trivial family pastime, that does little if anything to challenge the power of the established mass media. This book explores the diversity of 'video cultures' in contemporary Britain through a series of casestudies ranging from citizen journalists to amateur pornographers, andfrom teenage pranksters to elderly members of video-making clubs. Through its discussion of specific video-making practices, the book raises broader issues about key themes in contemporary cultural studies, including creativity, social capital, identity and technology.
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533 |
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|aElectronic reproduction.|bBasingstoke, England :|cPalgrave Macmillan,|d2010.|nMode of access:World Wide Web.|nSystem requirements: Web browser.|nTitle from title screen (viewed on Apr. 12, 2010).|nAccess may be restricted to users at subscribing institutions.
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650 |
0
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|aSocial media|zGreat Britain|vCase studies.
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650 |
0
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|aSocial media|zGreat Britain.
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650 |
0
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|aUser-generated content|zGreat Britain|vCase studies.
|
650 |
0
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|aUser-generated content|zGreat Britain.
|
650 |
0
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|aVideo recordings|xSocial aspects|zGreat Britain|vCase studies.
|
650 |
0
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|aVideo recordings|xSocial aspects|zGreat Britain.
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655 |
7
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|aElectronic books.|2local
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700 |
1
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|aBuckingham, David,|d1954-
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700 |
1
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|aWillett, Rebekah.
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710 |
2
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|aPalgrave Connect (Online service)
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776 |
1
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|cOriginal|z9780230221864|z0230221866|w(OCoLC)317927001
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809 |
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|pEB|dPN1992.94|eV652|y2009
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856 |
40
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|3Palgrave Connect|uhttp://www.palgraveconnect.com/doifinder/10.1057/9780230244696|zaccess to fulltext (Palgrave)
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