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20221020153407.0 |
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|a0230245439
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|a9780230245433
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7
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|a10.1057/9780230245433|2doi
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|aUKPGM|beng|cUKPGM|dNOU
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049 |
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|aAPTA
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14
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|aPN1993.5.C4|bL44 2009
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082 |
04
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|a791.43095125|222
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100 |
1
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|aLee, Vivian P. Y.,|d1962-
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|aHong Kong cinema since 1997|h[electronic resource] :|bthe post-nostalgic imagination /|cVivian P.Y. Lee.
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|aBasingstoke :|bPalgrave Macmillan,|c2009.
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|avii, 254 p. ;|c23 cm.
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|aIncludes bibliographical references and index.
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0
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|aPART I: TIME AND MEMORY -- Post-Nostalgia: In the Mood for Love and 2046 -- Cinematic Remembrances: Ordinary Heroes and Little Cheung -- Allegory, Kinship, and Redemption: Fu Bo and Isabella --PART II: SCHIZOPHRENIA, AMNESIA AND CINEPHILIA -- Lost in the Cosmopolitan Crime Zone: Johnnie To'sUrban Legends -- The Kung Fu Hero in the Digital Age: Stephen Chow's 'Glocal' Strategies -- Karmic Redemption: Memory and Schizophrenia in Hong Kong Action Films -- PART III: IN AND OUT -- Migrants ina Strange City: (Dis-)locating the China Imaginary -- Outside the Nation: the Pan-Asian Trajectory of Applause Pictures -- The Hong Kong Multiplex: An Unfolding Narrative.
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|aThe change of sovereignty in 1997 marked the end of British colonialrule and the beginning ofa new era in the history of Hong Kong. Taking its point of departure from Hong Kong cinema's transition to the post-colonial present, this study traces the form and content of a still evolving mode of cinematic imagination in Hong Kong films during the first decade of Chinese rule. Using the term 'post-nostalgic' to distinguish the treatment of nostalgia in post-handover films from Jameson's critique of postmodern nostalgia, it revisits current debates over local identity, nationhood, globalization and transnational film cultures to reflect on how Hong Kong filmmakers have negotiated between a local consciousness and the need to embrace the global and the national. The discussion covers a wide spectrum of popular and art films, from action, martial arts, comedy and horror to arthouse drama and pan-Asian co-productions, and sheds light on both new and emerging trends in Hong Kong's film industry.
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|aElectronic reproduction.|bBasingstoke, England :|cPalgrave Macmillan,|d2010.|nMode of access:World Wide Web.|nSystem requirements: Web browser.|nTitle from title screen (viewed on Apr. 12, 2010).|nAccess may be restricted to users at subscribing institutions.
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650 |
0
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|aMotion pictures|zChina|zHong Kong|xHistory|y21st century.
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650 |
0
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|aNostalgia in motion pictures.
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655 |
7
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|aElectronic books.|2local
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710 |
2
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|aPalgrave Connect (Online service)
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1
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|cOriginal|z9780230221437|z0230221432|w(OCoLC)427610997
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809 |
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|pEB|dPN1993.5.C4|eL481|y2009
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856 |
40
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|3Palgrave Connect|uhttp://www.palgraveconnect.com/doifinder/10.1057/9780230245433|zaccess to fulltext (Palgrave)
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