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20220607102511.0 |
020 |
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|a9780199570171
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|aStDuBDS|cStDuBDS|dNOU
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050 |
4
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|aPN1995|b.L786 2009
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100 |
1
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|aLivingston, Paisley,|d1951-
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245 |
10
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|aCinema, philosophy, Bergman|h[electronic resource] :|bon film as philosophy /|cPaisley Livingston.
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260 |
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|aOxford :|bOxford University Press,|cc2009.
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300 |
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|aix, 215 p. :|bill. ;|c22 cm.
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440 |
0
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|aOxford Scholarship Online
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|aIncludes bibliographical references and index.
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520 |
8
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|aCan cinema be a medium for philosophy? Paisley Livingston explores the philosophical value of cinema. As a case-study for his intentionalist theory of authorship and interpretation he focuses on Ingmar Bergman's cinematic explorations of motivated irrationality, inauthenticity, and self-knowledge.
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|aElectronic reproduction.|bOxford :|cOxford University Press,|d2009.|f(Oxford Scholarship Online).|nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).|nAvailable as searchable text in HTML format.|nAccess restricted to subscribing institutions.
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600 |
10
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|aBergman, Ingmar,|d1918-2007|xCriticism and interpretation.
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600 |
10
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|aBergman, Ingmar,|d1918-2007|xPhilosophy.
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650 |
0
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|aMotion pictures|xPhilosophy.
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650 |
0
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|aPhilosophy in motion pictures.
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776 |
08
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|iPrint version|z9780199570171
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809 |
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|pEB|dPN1995|e.L786|y2009
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856 |
40
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|uhttp://dx.doi.org/10.1093/acprof:oso/9780199570171.001.0001
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