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090313s2009 enk sb 001 0 eng d |
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|a0230582311
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|a9780230582316
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7
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|a10.1057/9780230582316|2doi
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|aUKPGM|beng|cUKPGM|dNOU
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|aAPTA
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14
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|aPN1995|b.M73 2009eb
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04
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|a791.4301|222
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1
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|aMullarkey, John.
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|aRefractions of reality|h[electronic resource] :|bphilosophy and the moving image /|cJohn Mullarkey.
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|aBasingstoke [England] ;|aNew York :|bPalgrave Macmillan,|c2009.
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|axviii, 282 p. ;|c23 cm.
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|aIncludes bibliographical references (p. 261-272) and index.
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|aPreface: The Film-Envy of Philosophy -- Introduction: Nobody Knows Anything! -- Illustrating Manuscripts -- Bordwell and Other Cogitators -- Zizek and the Cinema of Perversion -- Deleuze's Kinematic Philosophy -- Cavell, Badiou, and Other Ontologists -- Expanded Cognitions and theSpeeds of Cinema -- Fabulation, Process and Event -- Refractions of Reality Or, What is Thinking Anyway? -- Conclusion: Code Unknown - A Bastard Theory for a Bastard Art.
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|aElectronic reproduction.|bBasingstoke, England :|cPalgrave Macmillan,|d2009.|nMode of access:World Wide Web.|nSystem requirements: Web browser.|nTitle from title screen (viewed on Mar. 3, 2009).|nAccess may berestricted to users at subscribing institutions.
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0
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|aMotion pictures|xPhilosophy.
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7
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|aElectronic books.|2local
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|aPalgrave Connect (Online service)
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|cOriginal|z9780230002470|z0230002471|w(DLC) 2008035183|w(OCoLC)236331478
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|pEB|dPN1995|eM958|y2009
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856 |
40
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|3Palgrave Connect|uhttp://www.palgraveconnect.com/doifinder/10.1057/9780230582316|zaccess to fulltext (Palgrave)
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